We put together a brief training that covers a totally new approach to music production. Well, you don’t need expensive gear or software to do that – you just need the right knowledge. I’m guessing you’re here because you want to make your mixes sound professional. I think most cats will break down and get the full version.Get industry-quality every time (steal this framework)

You can also do songs like Little Wing by Hendrix, nice clean tone, crank in gain distortion for leads, etc. Guess I could have waited for the free, but I wanted it as soon as I heard Rick AMD Like A Hurricane demo. It’s so much fun I’m learning every Zeppelin Lead, Leslie West, Hendrix, you name it. 260-420 at random, The Pedal allows real-time modulation glitch free, like old Lexicon Delays PCM41/42. Slider 9 is the Fx level, Expression sends two other CCs in varying amounts tied to MSec. I’m using the Strymon Timeline which is fantastic for this. I’ve got dancers doing Air Guitar on Foghat and Skynard covers (yeah it’s a cover band, no shame) so if they like it must be pretty good. Use a DSP MBand Compressor and it’s tight as a Gnats Ass. I’m having blast doing backing crunch tracks with balls.

but unless you use two instances, then set one on a half step PBend, the other on Whole step PBend, both instances same MIDI Channel, it sounds like every other keyboard sample Guitar.ĭo your PBends now and authencity increases drastically.

Leads suck, sorry, they sound good on demos, etc. Successful dance band but no hard edge tunes until recently. Only have one Guitarist in one of the groups I work with. I’ve never been a heavy rock in dude except on B3/Moog duties.

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